Fiona Sheil

Fiona Sheil is a Com­poser and Sound Designer. She holds a Mas­ters in Exper­i­men­tal Sound from UCC.

Recent work includes The­atre for One 2024 (com­poser & sound designer; Land­mark Pro­duc­tions); Walk­ing with Ghosts (asso­ciate sound designer); Prickly by Caoimhe O’Malley (dlr Mill The­atre); Iron­bound by Mar­tyna Mayok (Dublin The­atre Fes­ti­val and Abbey The­atre).

For Rough Magic: Glue; What Are You Afraid Of? by Peter Hanly; All the Angels and Rough Week­end.

For Deca­dent The­atre: Hang­men (Deca­dent /​Gaiety The­atre); On Such As We by Billy Roche at Wex­ford National Opera House.

Other work includes Our Teth­ered Kin (Bro­ken­crow); Ani­mals (Louise White); Bloody Sun­day: Scenes from the Sav­ille Inquiry; Luck Just Kissed You Hello (Abbey The­atre); Whale and City by John McCarthy.

For Cather­ine Young Dance: State of Excep­tion; Ultima Thule; The River Will Still Run To The Sea (Mind your step); Wel­com­ing the Stranger (The Case­ment Project); and Float­ing on a Dead Sea.

Other notable work includes her col­lab­o­ra­tion with visual artist Aideen Barry on Barry’s By Slight Lig­a­ments, as part of her large scale exhi­bi­tion (Lim­er­ick City Gallery, 2022).

Score and sound design for Etaoin Melville’s stop ani­ma­tion Black & Blue.

Fiona was nom­i­nated for The Hearsay audio prize 2021.

• Composer
• Sound Designer