Lee is a writer and director from Dublin. He is the Creative Director of award winning theatre company Bitter Like A Lemon, which is currently the theatre company in residence in The Civic Theatre.
Lee has been a part of the prestigious Rough Magic SEEDS programme, Irish Theatre Institute’s Six In The Attic and The Lyric Theatre’s New Playwrights Programme.
His critically acclaimed plays include Leper + Chip (Theatre Upstairs, Project Arts Centre, National Tour, Edinburgh Fringe, Philadelphia); Peruvian Voodoo (Theatre Upstairs); Slice, The Thief (Smock Alley, Axis); Murder of Crows (Theatre Upstairs, Project Arts Centre, National Tour); The Matron (Radio play — Bram Stoker Festival); From All Sides (Dublin Fringe Festival); In Our Veins (Abbey Theatre) which was published by Samuel French; Good.Orderly.Direction (Dublin Theatre Festival) which was published by Samuel French; The First Irish Coffee (Laughter Lounge). He has also written plays for The Gaiety School of Acting.
Leper + Chip and Slice, The Thief were also adapted for the screen as a part of Dublin Port’s Pumphouse Presents Festival. His new play Jigsaw will première in Glass Mask Theatre in April 2025.
Lee’s directing credits include the award winning Oh, Brother by Callum Maxwell (Dublin Fringe, National Tour); Mosaic by Louis Deslis (Dublin Fringe Little Gem Nominee) and The Kiss by Jimmy Murphy.
Lee is currently developing a number of screen projects and is under commission from several theatre companies, both in Ireland and abroad. He will première two new plays in 2025.
Reviews of Lee’s work:
Leper + Chip
“Leper + Chip is a spectacular writing debut.” — Emer O’Kelly, Sunday Independent
“A remarkable writing debut from Dublin writer Lee Coffey… a truly excellent production.” — Eithne Shortall, The Sunday Times
“Its sharply written, neatly constructed, and brilliantly performed…” — John McKeown, Irish Independent
“A breathlessly exciting forty five minutes…” — Peter Crawley, The Irish Times
“Uncut, mad and glorious.” – Irish News
⭐⭐⭐⭐⭐ - The British Theatre Guide
⭐⭐⭐⭐⭐ - Broadway Baby
⭐⭐⭐⭐ - Younger Theatre
⭐⭐⭐⭐ - ED49 +3
⭐⭐⭐⭐ - The Public Reviews
Murder of Crows
“Sitting through Lee Coffey’s Murder Of Crows is akin to spending an hour in a filthy cellar with lice crawling over you. Is it worth it? Yes; definitely. This could be yet another unimaginative theatrical photograph of the average wild weekend indulged in or imagined by teenagers. But in Coffey’s creative hands, it becomes an utterly believable nightmare of abusive savagery, a cross between Apocalypse Now and Lord Of The Flies.” – Emer O’Kelly, Sunday Independent.
“Lee Coffey’s writing is alarming, not because of its vicious, eye-for-an-eye morality but because one senses he has tapped into the zeitgeist of teenage life in Ireland. It’s not pretty. The script is darkly witty and intense…” — Fiona Charleton, The Sunday Times
⭐⭐⭐⭐ - The Arts Review
Peruvian Voodoo
“It’s a wild trip through the insanity of three men with half-fried brains. It’s as ugly as it’s funny, and the message is as sobering as it is street-wise. Lee Coffey fits his writing into a kind of Raymond Chandler genre with the addition of profanity and 21st-Century sexual crudity that would probably have made Chandler blush.” – Emer O’Kelly, Sunday Independent
“Fast-paced and funny, as well as tragic, this is an entertaining portrayal of a tough, crazy day in a cold and cruel city.” ⭐⭐⭐⭐ – The Public Reviews
From All Sides
“Under the direction of Aaron Monaghan, and with the words from a truly incredible script by Lee Coffey, we bear witness to a show that explores the extremities, and the realities, of what is acceptable and natural for one gender, but is not for the other.” – Meg.ie “Under the direction of Aaron Monaghan they convey the darkness, depth, and humour of Coffey’s concept. It is a brave 55 minutes of theatre that focuses on adult themes while also telling a rousing and, oddly, at times fun modern tragedy.” — Reviews Hub
“A bold dramatic endeavour, well worth unpacking.” – The Sunday Times
G.O.D. (Good. Orderly. Direction.)
“Audience familiar with Coffey’s previous work will note that G.O.D. is a departure from his familiar, fast paced verse structure. This evolution is exciting, as Coffey manages to preserve the intimacy he is known for creating through his characters while delivering a more determined and deliberate narrative. G.O.D. is a strikingly visceral production that should not be missed. Intense, compelling and intimate.
⭐⭐⭐⭐ - Ciara L. Murphy, The Irish Times
⭐⭐⭐⭐ - The Arts Review