Lee Cof­fey

Lee Coffey

Lee is a writer and direc­tor from Dublin. He is the Cre­ative Direc­tor of award win­ning the­atre com­pany Bit­ter Like A Lemon, which is cur­rently the the­atre com­pany in res­i­dence in The Civic Theatre.

Lee has been a part of the pres­ti­gious Rough Magic SEEDS pro­gramme, Irish The­atre Institute’s Six In The Attic and The Lyric Theatre’s New Play­wrights Pro­gramme.

His crit­i­cally acclaimed plays include Leper + Chip (The­atre Upstairs, Project Arts Cen­tre, National Tour, Edin­burgh Fringe, Philadel­phia); Peru­vian Voodoo (The­atre Upstairs); Slice, The Thief (Smock Alley, Axis); Mur­der of Crows (The­atre Upstairs, Project Arts Cen­tre, National Tour); The Matron (Radio play — Bram Stoker Fes­ti­val); From All Sides (Dublin Fringe Fes­ti­val); In Our Veins (Abbey The­atre) which was pub­lished by Samuel French; Good.Orderly.Direction (Dublin The­atre Fes­ti­val) which was pub­lished by Samuel French; The First Irish Cof­fee (Laugh­ter Lounge). He has also writ­ten plays for The Gai­ety School of Acting.

Leper + Chip and Slice, The Thief were also adapted for the screen as a part of Dublin Port’s Pump­house Presents Fes­ti­val. His new play Jig­saw will pre­mière in Glass Mask The­atre in April 2025.

Lee’s direct­ing cred­its include the award win­ning Oh, Brother by Cal­lum Maxwell (Dublin Fringe, National Tour); Mosaic by Louis Deslis (Dublin Fringe Lit­tle Gem Nom­i­nee) and The Kiss by Jimmy Murphy.

Lee is cur­rently devel­op­ing a num­ber of screen projects and is under com­mis­sion from sev­eral the­atre com­pa­nies, both in Ire­land and abroad. He will pre­mière two new plays in 2025.

Reviews of Lee’s work:

Leper + Chip
“Leper + Chip is a spec­tac­u­lar writ­ing debut.” — Emer O’Kelly, Sun­day Independent

A remark­able writ­ing debut from Dublin writer Lee Cof­fey… a truly excel­lent pro­duc­tion.” — Eithne Short­all, The Sun­day Times

Its sharply writ­ten, neatly con­structed, and bril­liantly per­formed…” — John McK­e­own, Irish Independent

A breath­lessly excit­ing forty five min­utes…” — Peter Craw­ley, The Irish Times

Uncut, mad and glo­ri­ous.” – Irish News

⭐⭐⭐⭐⭐ - The British The­atre Guide
⭐⭐⭐⭐⭐ - Broad­way Baby
⭐⭐⭐⭐ - Younger The­atre
⭐⭐⭐⭐ - ED49 +3
⭐⭐⭐⭐ - The Pub­lic Reviews


Mur­der of Crows
“Sit­ting through Lee Coffey’s Mur­der Of Crows is akin to spend­ing an hour in a filthy cel­lar with lice crawl­ing over you. Is it worth it? Yes; def­i­nitely. This could be yet another unimag­i­na­tive the­atri­cal pho­to­graph of the aver­age wild week­end indulged in or imag­ined by teenagers. But in Coffey’s cre­ative hands, it becomes an utterly believ­able night­mare of abu­sive sav­agery, a cross between Apoc­a­lypse Now and Lord Of The Flies.” – Emer O’Kelly, Sun­day Independent.

Lee Coffey’s writ­ing is alarm­ing, not because of its vicious, eye-​for-​an-​eye moral­ity but because one senses he has tapped into the zeit­geist of teenage life in Ire­land. It’s not pretty. The script is darkly witty and intense…” — Fiona Charleton, The Sun­day Times

⭐⭐⭐⭐ - The Arts Review


Peru­vian Voodoo
“It’s a wild trip through the insan­ity of three men with half-​fried brains. It’s as ugly as it’s funny, and the mes­sage is as sober­ing as it is street-​wise. Lee Cof­fey fits his writ­ing into a kind of Ray­mond Chan­dler genre with the addi­tion of pro­fan­ity and 21st-​Century sex­ual cru­dity that would prob­a­bly have made Chan­dler blush.” – Emer O’Kelly, Sun­day Independent

Fast-​paced and funny, as well as tragic, this is an enter­tain­ing por­trayal of a tough, crazy day in a cold and cruel city.” ⭐⭐⭐⭐ – The Pub­lic Reviews


From All Sides
“Under the direc­tion of Aaron Mon­aghan, and with the words from a truly incred­i­ble script by Lee Cof­fey, we bear wit­ness to a show that explores the extrem­i­ties, and the real­i­ties, of what is accept­able and nat­ural for one gen­der, but is not for the other.” – Meg​.ie “Under the direc­tion of Aaron Mon­aghan they con­vey the dark­ness, depth, and humour of Coffey’s con­cept. It is a brave 55 min­utes of the­atre that focuses on adult themes while also telling a rous­ing and, oddly, at times fun mod­ern tragedy.” — Reviews Hub

A bold dra­matic endeav­our, well worth unpack­ing.” – The Sun­day Times


G.O.D. (Good. Orderly. Direc­tion.)
“Audi­ence famil­iar with Coffey’s pre­vi­ous work will note that G.O.D. is a depar­ture from his famil­iar, fast paced verse struc­ture. This evo­lu­tion is excit­ing, as Cof­fey man­ages to pre­serve the inti­macy he is known for cre­at­ing through his char­ac­ters while deliv­er­ing a more deter­mined and delib­er­ate nar­ra­tive. G.O.D. is a strik­ingly vis­ceral pro­duc­tion that should not be missed. Intense, com­pelling and intimate.

⭐⭐⭐⭐ - Ciara L. Mur­phy, The Irish Times

⭐⭐⭐⭐ - The Arts Review